Burning Leaves On A Quiet Saturday
A/P 1/200 | 20”x24” | 1992 | CANVAS | FRAMED
“This painting is a romantic love sonnet about the charms of the autumn season; the cooling moisture of rains and mist and the occasional scent of burning leaves.”
-Thomas Kinkade

Burning Leaves On A Quiet Saturday
A/P 2/200 | 20”x24” | 1992 | CANVAS | FRAMED
“This painting is a romantic love sonnet about the charms of the autumn season; the cooling moisture of rains and mist and the occasional scent of burning leaves.”
-Thomas Kinkade

Sugar And Spice Cottages II
A/P 1/395 | 16”x12” | 1994 | CANVAS | UNFRAMED
“How fondly I remember the fragrant leaf fires that were a favorite autumn ritual of my Boyhood. Autumn at Ashleys Cottage, with its bustling chickens in the yard and its heaps of crisp autumn leaves, delights that little boy in me.”
-Thomas Kinkade

Sugar And Spice Cottages II
A/P 2/395 | 16”x12” | 1994 | CANVAS | UNFRAMED
“How fondly I remember the fragrant leaf fires that were a favorite autumn ritual of my Boyhood. Autumn at Ashleys Cottage, with its bustling chickens in the yard and its heaps of crisp autumn leaves, delights that little boy in me.”
-Thomas Kinkade

A/P 9/200 | 20”x24” | 1991 | CANVAS | FRAMED
“A gate is an invitation to explore! I spotted this gate while driving through a tiny Cotswold village, having just painted McKennas Cottage. I knew at once I must record the gate in paint, yet since daylight was escaping, I quickly snapped a few reference photos and vowed to recreate the gate in my studio.”
-Thomas Kinkade

Seaside Memories I
A/P 1/275 | 18”x27” | 1994 | CANVAS | UNFRAMED
“Beacon of Hope is a product of imagination and an allegory of faith. A small boat, barely visible on the horizon, rides heavy seas that surge and crash onto a rocky coast; the lighthouse beacon is its sole guide. The keeper's house is a safe haven against all storms.”
-Thomas Kinkade

Seaside Memories I
A/P 2/275 | 18”x27” | 1994 | CANVAS | UNFRAMED
“Beacon of Hope is a product of imagination and an allegory of faith. A small boat, barely visible on the horizon, rides heavy seas that surge and crash onto a rocky coast; the lighthouse beacon is its sole guide. The keeper's house is a safe haven against all storms.”
-Thomas Kinkade

Morning At Ivycrest Manor
A/P 1/600 | 24”x30” | 1993 | CANVAS | FRAMED
“Some years ago, in my travels through England, I found a wonderful old stone gate-mysterious and inviting-that inspired my celebrated painting, “The Autumn Gate.” Nanette and I returned to England and made a pilgrimage to that ancient gate in order to discover what lay beyond – the stately, ivy-draped stone manor house I celebrate in “Beyond Autumn Gate.”
-Thomas Kinkade

Blessings Of The Seasons II
A/P 1/275 | 16”x20” | 1994 | CANVAS | UNFRAMED
“In the magical light of Spring, it's easy to imagine this dignified English manor house a century ago, its stately Victorian guests stepping out of their carriages to make a grand entrance amidst the vibrant radiance of evening that touches the new blooms with brilliant color. That memory truly is a blessing.”
-Thomas Kinkade

Blessings Of The Seasons II
A/P 2/275 | 16”x20” | 1994 | CANVAS | UNFRAMED
“In the magical light of Spring, it's easy to imagine this dignified English manor house a century ago, its stately Victorian guests stepping out of their carriages to make a grand entrance amidst the vibrant radiance of evening that touches the new blooms with brilliant color. That memory truly is a blessing.”
-Thomas Kinkade

Blessings Of The Seasons III
A/P 1/495 | 24”x30” | 1995 | CANVAS | UNFRAMED
“When I was a lad, we had our choice of Arcadian swimming holes, deep and safe, framed by old trees and big diving rocks. It was heavenly. Blessings of Summer, third in my Blessings of the Seasons collection, is my tribute to those long-ago summer days.”
-Thomas Kinkade

Blessings Of The Seasons III
A/P 2/495 | 24”x30” | 1995 | CANVAS | UNFRAMED
“When I was a lad, we had our choice of Arcadian swimming holes, deep and safe, framed by old trees and big diving rocks. It was heavenly. Blessings of Summer, third in my Blessings of the Seasons collection, is my tribute to those long-ago summer days.”
-Thomas Kinkade

Blossom Lane I
A/P 1/295 | 16”x20” | 1995 | CANVAS | UNFRAMED
“I came upon a scene in Ireland where ancient footpaths wind their way over an old stone bridge to a distant village. It was all so green that I began to add brightly colored flowers... and suddenly a riot of colors took over.”
-Thomas Kinkade

Blossom Lane I
A/P 2/295 | 16”x20” | 1995 | CANVAS | UNFRAMED
“I came upon a scene in Ireland where ancient footpaths wind their way over an old stone bridge to a distant village. It was all so green that I began to add brightly colored flowers... and suddenly a riot of colors took over.”
-Thomas Kinkade

A/P 1/50 | 16”x20” | 1990 | CANVAS | FRAMED
“My English cottage paintings have always been my attempt to reach into the deepest part of my emotions -those hidden joyous fantasies we all have of places more special than our everyday world. If the joy /feel in creating these paintings is at all communicated to the viewer, then I have been successful.”
-Thomas Kinkade

City Impressions I
A/P 1/590 | 24”x36” | 1999 | CANVAS | UNFRAMED
DOUBLE SIGNED
“Boulevard Lights, Paris is not only the first release in Thom's exciting new City Impressions series but also the first release of his new Studio Impressions collection. For Thom, this new collection is an expression of his passion for color and the way natural light affects the subject.”
-Thomas Kinkade

Sweetheart Hideaway I
A/P 1/395 | 20”x16” | 1995 | CANVAS | UNFRAMED
“Brookside Hideaway is my Valentine's Day gift to lovers everywhere. It's the perfect romantic hideaway, lavish with flowers... and on close examination you'll also find a few hearts hidden away in the distance and among the foliage. Ah, sweet love!”
-Thomas Kinkade

Sweetheart Hideaway I
A/P 2/395 | 20”x16” | 1995 | CANVAS | UNFRAMED
“Brookside Hideaway is my Valentine's Day gift to lovers everywhere. It's the perfect romantic hideaway, lavish with flowers... and on close examination you'll also find a few hearts hidden away in the distance and among the foliage. Ah, sweet love!”
-Thomas Kinkade

A/P 28/50 | 12”x16” | 1990 | CANVAS | FRAMED
"Christmas has always been my favorite holiday. I enjoy the crisp mornings, strands of colored lights, and the feeling of hearth and home. My Christmas Cottage collection is my way of annually celebrating in paint the season I most love."
-Thomas Kinkade

ORIGINAL | 20”x16” | 1991 | CANVAS | FRAMED
“Christmas Eve is plain, simple, and an expression of my ongoing love affair with the Christmas season. This wonderful old stone cottage allows me to express the lights, mood, and magic of one of the most wonderful seasons of the year.”
-Thomas Kinkade

If interested in this original, please contact us.

A/P 173/200 | 12”x16” | 1991 | CANVAS | FRAMED
“Christmas Eve is plain, simple, and an expression of my ongoing love affair with the Christmas season. This wonderful old stone cottage allows me to express the lights, mood, and magic of one of the most wonderful seasons of the year.”
-Thomas Kinkade

P/P 2/100 | 12”x16” | 1991 | PAPER | UNFRAMED
“Christmas Eve is plain, simple, and an expression of my ongoing love affair with the Christmas season. This wonderful old stone cottage allows me to express the lights, mood, and magic of one of the most wonderful seasons of the year.”
-Thomas Kinkade

P/P 3/100 | 12”x16” | 1991 | PAPER | UNFRAMED
“Christmas Eve is plain, simple, and an expression of my ongoing love affair with the Christmas season. This wonderful old stone cottage allows me to express the lights, mood, and magic of one of the most wonderful seasons of the year.”
-Thomas Kinkade

P/P 4/100 | 12”x16” | 1991 | PAPER | UNFRAMED
“Christmas Eve is plain, simple, and an expression of my ongoing love affair with the Christmas season. This wonderful old stone cottage allows me to express the lights, mood, and magic of one of the most wonderful seasons of the year.”
-Thomas Kinkade

P/P 5/100 | 12”x16” | 1991 | PAPER | UNFRAMED
“Christmas Eve is plain, simple, and an expression of my ongoing love affair with the Christmas season. This wonderful old stone cottage allows me to express the lights, mood, and magic of one of the most wonderful seasons of the year.”
-Thomas Kinkade

Christmas Cottage V
A/P 1/395 | 12”x16” | 1994 | CANVAS | UNFRAMED
“When I think of the glory of Christmas, I think of the radiant sunsets that set the snowy world aglow at that time of year. The luminous golden color of the sunset in Christmas Tree Cottage is a vibrant reminder that the glory of the season truly comes from God alone.”
-Thomas Kinkade

Christmas Cottage V
A/P 2/395 | 12”x16” | 1994 | CANVAS | UNFRAMED
“When I think of the glory of Christmas, I think of the radiant sunsets that set the snowy world aglow at that time of year. The luminous golden color of the sunset in Christmas Tree Cottage is a vibrant reminder that the glory of the season truly comes from God alone.”
-Thomas Kinkade

Cobblestone Lane IV
A/P 1/590 | 24”x36” | 2000 | CANVAS | UNFRAMED
“Recently Nanette and I explored a new corner of the British Isles: the Hampshire region in southwest England. As we walked its quaint paths, I felt a longing for a time when rambling was a preferred mode of transportation. Cobblestone Bridge is bathed in the light of a golden nostalgic sunset, the glow of oil lamps, firelight in the thatch-roofed cottages, and the yearnings in my heart. The stately old bridge is constructed with fieldstones and the thatched roofs are built up from bundles of reeds. In the world of Cobblestone Bridge, man and nature live in God's perfect balance. While we visited, Nanette and I shared in that harmony.”
-Thomas Kinkade

A/P 2/295 | 24”x30” | 1996 | CANVAS | UNFRAMED
“Cobblestone Lane I wends its way through a rustic village. The very unevenness of the cobbled path adds a sense of adventure that awakens our senses; we hear birdsong, feel the bracing mist of the morning, pluck a ripe apple to savor its sweet juice, smell the mingled scents, enjoy the play of sunlight and shade.”
-Thomas Kinkade

Cobblestone Lane III
A/P 1/1190 | 25.5”x34” | 1998 | CANVAS | UNFRAMED
“We've lived here, Nanette and I. Not in this precise village, I'll grant you, but in many like it, during our long and lovely stay in the English Cotswolds. Cobblestone Village conveys the qualitative difference between life in an English village and an American small town. The pace of life in Cobblestone Village seems a century removed from what we typically find in our fast-paced culture. English country life is slow, rich, satisfying. Activity centers on the village to an extraordinary degree. People come daily for the bakery, dairy, green grocery, butcher shop... as well as the warm conversation and fellowship that truly sustain life. The gathered town folk in Cobblestone Village are as natural, as informal as the overgrown hedges of flowers that line the lane.”
-Thomas Kinkade

S/N 127/1655 | 9”x12” | 1994 | CANVAS | FRAMED
“This tiny cottage, nestled beside a stream is based on a real rustic home I discovered in the English Cotswold. To me, it's a perfect place for friends to gather over tea and talk about favorite trips and family gatherings, about art and beauty. In short, the ideal clubhouse for Kinkade collectors!”
-Thomas Kinkade

The Old Covered Bridge At Thomaston Brook
A/P 1/200 | 12”x16” | 1992 | CANVAS | FRAMED
“While visiting New England, Nanette and I decided to search for some of the old haunts of our mutual hero, Norman Rockwell. Country Memories is a loving tribute to the charming country area Rockwell called home for so many years.“
-Thomas Kinkade

The Old Covered Bridge At Thomaston Brook
A/P 2/200 | 12”x16” | 1992 | CANVAS | FRAMED
“While visiting New England, Nanette and I decided to search for some of the old haunts of our mutual hero, Norman Rockwell. Country Memories is a loving tribute to the charming country area Rockwell called home for so many years.“
-Thomas Kinkade

A/P 2/198 | 18”x27” | 1994 | CANVAS | UNFRAMED
“In Dusk in the Valley a peaceful, fertile farm is guarded by great sentinel mountain peaks. The scene is not all tranquility; there is drama and energy, courtesy of a blazing, golden sunset that seems almost to be a celestial spotlight, shining down from the heavens.”
-Thomas Kinkade

A/P 1/495 | 24”x36” | 1995 | CANVAS | UNFRAMED
“The End of a Perfect Day III, the third and final piece in my End of a Perfect Day collection celebrates the majesty of God's creation. A lovely stream in the distance invites us to explore or fish; trails wind up and away to valleys and vistas we can only imagine. In the drama of sunset, the woodsman returns to his own small world: a cozy stone cabin warmed by a hearth fire and the promise of comfort at day's end.”
-Thomas Kinkade

A/P 2/495 | 24”x36” | 1995 | CANVAS | UNFRAMED
“The End of a Perfect Day III, the third and final piece in my End of a Perfect Day collection celebrates the majesty of God's creation. A lovely stream in the distance invites us to explore or fish; trails wind up and away to valleys and vistas we can only imagine. In the drama of sunset, the woodsman returns to his own small world: a cozy stone cabin warmed by a hearth fire and the promise of comfort at day's end.”
-Thomas Kinkade

S/N 158/550 | 16”x20” | 1990 | PAPER | FRAMED
“My daughter Merrit loves sunsets. So of course when on the lookout for Merritt's dream cottage, I paid particular attention to sunset. The house comes alive in war glow of dusk, just the way my oldest daughter does.”
-Thomas Kinkade

Beauty Of The Old Forest
A/P 1/495 | 20”x16” | 1995 | CANVAS | UNFRAMED
“I walked the sylvan stream to find the idyllic hideaway I portray in Evening in the Forest. The cabin is bathed in a welcoming amber light. The wildness of wood and stream has not been tamed; it's been softened by this hint of the comfort of home.”
-Thomas Kinkade

Beauty Of The Old Forest
A/P 2/495 | 20”x16” | 1995 | CANVAS | UNFRAMED
“I walked the sylvan stream to find the idyllic hideaway I portray in Evening in the Forest. The cabin is bathed in a welcoming amber light. The wildness of wood and stream has not been tamed; it's been softened by this hint of the comfort of home.”
-Thomas Kinkade

A/P 2/275 | 24”x36” | 1993 | CANVAS | FRAMED
“A luminous sunset shrouds Fisherman's Wharf, San Francisco in a golden glow. Quaint fishing boats of all descriptions sleep quietly at their moorings, and overhead seagulls soar in the brisk sea air. What an enchanting location!”
-Thomas Kinkade

A/P 1/10 | 16”x20” | 1999 | CANVAS | UNFRAMED
“What's around the next bend? What lies at the end of the trail? When I walk an unfamiliar path, curiosity drives me on. The Forest Chapel portrays a daydream I've had many times: often while hiking some wooded trail I've come upon a spectacular flowering meadow and thought, "What a wonderful place to worship God". The idea of a chapel in an unspoiled natural setting has intrigued me for years.”
-Thomas Kinkade

A/P 2/10 | 16”x20” | 1997 | CANVAS | UNFRAMED
“Christmas is my favorite time of year. The artist side of me is drawn to the lights and visual elements of the season. In Village Christmas, I have tried to capture a Christmas of a simpler time, where street lamps glow with the warm light of a natural flame and the townsfolk use a leisurely stroll to church as the opportunity to stop and chat about the joyous season.”
-Thomas Kinkade

Flower Cottages Of Carmel III
A/P 1/790 | 20”x24” | 1999 | CANVAS | UNFRAMED
“An artist has a duty to follow his muse — even when it leads us down unexpected or inconvenient paths. I live by that rule, and sometimes I'm rewarded with a lovely treasure like Foxglove Cottage — newest in my Flower Cottages of Carmel print collection.”
-Thomas Kinkade

S/N 2 | 25.5”x34” | 1994 | CANVAS | UNFRAMED
“In Beyond Autumn Gate a graceful Greek urn rises out of a reflecting pool, just as a manor house looms above its manicured grounds. A radiant light permeates the misty air. Here is the perfection that exists only in places that touch our imaginations and our hearts.”
-Thomas Kinkade

A/P 1/400 | 9”x12” | 1993 | CANVAS | FRAMED
DOUBLE SIGNED
“I painted Glory of Morning and Glory of Evening as a pair. Both explore the subtleties of transitional light, when the sky flames with a special radiance, when colors are heightened and shadows dance on the ground. But Glory of Evening is as different from its companion-piece as sunset is from sunrise. The dust of a busy day, and its low-lying clouds, reflect the violet of sunset. That violet radiance colors the garden flowers, deepening their hues. Such glorious evenings as this lay a purple cloak upon the land... and every home becomes a castle.”
-Thomas Kinkade

A/P 2/400 | 9”x12” | 1993 | CANVAS | UNFRAMED
DOUBLE SIGNED
“For me, the quality of light is a delight! Morning light is warm with the energy of a new day, yet the cool air is heavy with mist. My Glory of Morning sparkles with the light of just such a morning — warm light filtered through myriad tiny water drops until the colors glisten. You can see that light reflected on the flowers of a fabulous garden, each color so vibrant that the garden becomes a living rainbow. Flowers, artists — and Kinkade collectors — all delight to the glories of a lovely morning.”
-Thomas Kinkade

A/P 1/300 | 20”x24” | 1993 | CANVAS | FRAMED
“This is the thrilling view of Bridal Veil Falls, thundering at the head of a Yosemite Valley blanketed in snow and blessed by an unaccustomed solitude. A brilliant beam of sunlight has broken through the clouds, illuminating the distant falls and mountains as if in a spotlight.”
-Thomas Kinkade

A/P 2/300 | 20”x24” | 1993 | CANVAS | FRAMED
“This is the thrilling view of Bridal Veil Falls, thundering at the head of a Yosemite Valley blanketed in snow and blessed by an unaccustomed solitude. A brilliant beam of sunlight has broken through the clouds, illuminating the distant falls and mountains as if in a spotlight.”
-Thomas Kinkade

Sugar And Spice Cottage’s I
A/P 1/400 | 12”x16” | 1993 | CANVAS | FRAMED
“My Sugar and Spice Cottages is the first collection solely devoted to "dollhouse" cottages that any little girl would love to live in — especially my own daughters, Merritt and Chandler!”
-Thomas Kinkade

Secret Garden Places II
A/P 1/375 | 16”x20” | 1994 | CANVAS | UNFRAMED
“I often seek out a quiet place to meditate and pray; a special retreat like Hidden Arbor. This marvelous waterfall, with its myriad rivulets and streams; the climbing flowers on a romantic arbor is a little touch of heaven.”
-Thomas Kinkade

Secret Garden Places II
A/P 2/375 | 16”x20” | 1994 | CANVAS | UNFRAMED
“I often seek out a quiet place to meditate and pray; a special retreat like Hidden Arbor. This marvelous waterfall, with its myriad rivulets and streams; the climbing flowers on a romantic arbor is a little touch of heaven.”
-Thomas Kinkade

A/P 1/400 | 16”x20” | 1993 | CANVAS | FRAMED
“I take a great deal of pleasure in finding out-of-the-way places, small wonders that sometimes seem to go unnoticed like the cottage behind the gate in Hidden Cottage II.”
-Thomas Kinkade

A/P 2/400 | 16”x20” | 1993 | CANVAS | FRAMED
“I take a great deal of pleasure in finding out-of-the-way places, small wonders that sometimes seem to go unnoticed like the cottage behind the gate in Hidden Cottage II.”
-Thomas Kinkade

Secret Garden Places I
A/P 1/240 | 16”x20” | 1994 | CANVAS | UNFRAMED
“If you and I were to walk together along the old Plantation Road north of New Orleans, I could take you to the very spot that inspired the Hidden Gazebo. Perhaps the stairs which lead to the hidden gazebo will carry us to a quiet place of prayer and inspiration.”
-Thomas Kinkade

Secret Garden Places I
A/P 2/240 | 16”x20” | 1994 | CANVAS | UNFRAMED
“If you and I were to walk together along the old Plantation Road north of New Orleans, I could take you to the very spot that inspired the Hidden Gazebo. Perhaps the stairs which lead to the hidden gazebo will carry us to a quiet place of prayer and inspiration.”
-Thomas Kinkade

A/P 2/1390 | 12”x16” | 1998 | CANVAS | UNFRAMED
“Of all the holiday rituals, the one I prize the most is the coming together of loved ones in shared celebration. Even if our family circle is small, the Christmas season can become a benchmark of friendship; a time when we pause to savor traditions of comfort and joy.”
-Thomas Kinkade

Flower Cottages Of Carmel II
A/P 1/395 | 16”x20” | 1996 | CANVAS | UNFRAMED
“Hollyhock House, second in my Flower Cottages of Carmel collection, is a real hideaway along the picturesque Pacific coast. The rich, honey-colored stone is an effect of wind and weather on rock. The splendid, dignified hollyhocks, that rise as proud and straight sentinels at the entrance to the garden, are my imaginative addition to the scene.”
-Thomas Kinkade

Flower Cottages Of Carmel II
A/P 2/395 | 16”x20” | 1996 | CANVAS | UNFRAMED
“Hollyhock House, second in my Flower Cottages of Carmel collection, is a real hideaway along the picturesque Pacific coast. The rich, honey-colored stone is an effect of wind and weather on rock. The splendid, dignified hollyhocks, that rise as proud and straight sentinels at the entrance to the garden, are my imaginative addition to the scene.”
-Thomas Kinkade

P/P 1/100 | 8”x10” | 1991 | PAPER | UNFRAMED
“The title for this tiny painting was originally Cookies Baking. As I worked on the piece, I could almost smell the sweet aroma of homemade cookies coming from inside the snow covered cottage. By the way, the number "5282" that appears on the mailbox in front of the cottage is a tribute to one of my favorite dates, May 2, 1982 — the day my wife, Nanette, and I were married.”
-Thomas Kinkade

P/P 2/100 | 8”x10” | 1991 | PAPER | UNFRAMED
“The title for this tiny painting was originally Cookies Baking. As I worked on the piece, I could almost smell the sweet aroma of homemade cookies coming from inside the snow covered cottage. By the way, the number "5282" that appears on the mailbox in front of the cottage is a tribute to one of my favorite dates, May 2, 1982 — the day my wife, Nanette, and I were married.”
-Thomas Kinkade

P/P 3/100 | 8”x10” | 1991 | PAPER | UNFRAMED
“The title for this tiny painting was originally Cookies Baking. As I worked on the piece, I could almost smell the sweet aroma of homemade cookies coming from inside the snow covered cottage. By the way, the number "5282" that appears on the mailbox in front of the cottage is a tribute to one of my favorite dates, May 2, 1982 — the day my wife, Nanette, and I were married.”
-Thomas Kinkade

P/P 4/100 | 8”x10” | 1991 | PAPER | UNFRAMED
“The title for this tiny painting was originally Cookies Baking. As I worked on the piece, I could almost smell the sweet aroma of homemade cookies coming from inside the snow covered cottage. By the way, the number "5282" that appears on the mailbox in front of the cottage is a tribute to one of my favorite dates, May 2, 1982 — the day my wife, Nanette, and I were married.”
-Thomas Kinkade

P/P 5/100 | 8”x10” | 1991 | PAPER | UNFRAMED
“The title for this tiny painting was originally Cookies Baking. As I worked on the piece, I could almost smell the sweet aroma of homemade cookies coming from inside the snow covered cottage. By the way, the number "5282" that appears on the mailbox in front of the cottage is a tribute to one of my favorite dates, May 2, 1982 — the day my wife, Nanette, and I were married.”
-Thomas Kinkade

A/P 2/495 | 20”x24” | 1996 | CANVAS | UNFRAMED
“Home Is Where the Heart Is II expresses those things I value most about family. The classic farm house offers comfort and intimacy and the flowering apple trees promise a rich harvest. It is a favorite saying of mine... and one of my favorite collections I warmly offer to collectors, heart to heart.”
-Thomas Kinkade

Great American Mansions I
A/P 1/300 | 20”x24” | 1993 | CANVAS | FRAMED
“Homestead House, is the first painting in my Great American Mansions collection. With its stately Doric columns and imposing facade, this is the very essence of the plantation style... truly a grand mansion that would have delighted Scarlett O'Hara and Rhett Butler.”
-Thomas Kinkade

Great American Mansions I
A/P 2/300 | 20”x24” | 1993 | CANVAS | FRAMED
“Homestead House, is the first painting in my Great American Mansions collection. With its stately Doric columns and imposing facade, this is the very essence of the plantation style... truly a grand mansion that would have delighted Scarlett O'Hara and Rhett Butler.”
-Thomas Kinkade

A/P 2/495 | 24”x30” | 1995 | CANVAS | UNFRAMED
“As we stroll down the tree shrouded lane, you'll notice the landmarks familiar to every hometown—neighborhood houses, people of the village, sidewalks, and even a pet or two. These are the places where families thrive, children grow up and memories are made. In the distance, you will see the village church—the spiritual foundation of every hometown.”
-Thomas Kinkade

A/P 2/200 | 12”x16” | 1992 | CANVAS | FRAMED
“While visiting England one fall, Nanette and I decided to take a driving trip to the lake district — a beautiful area of England known for its spectacular scenery. While there, we stayed in this cottage, interestingly enough once owned by Beatrix Potter, the famous creator of Peter Rabbit and other stories. The cottage was part of a large farm and as I worked on the painting, I was surrounded by an assortment of chickens and geese, who took more interest in my lunch than in my painting! By the way, the room we stayed in is the one at the upper left of the cottage.”
-Thomas Kinkade

A/P 1/590 | 18”x24” | 1999 | CANVAS | UNFRAMED
“I certainly hope that hose who follow my art will recognisze elements of the good life as I have often tried to portray it when they see my work, Lakeside Hideaway. This tranquil lake, nestled in the shadows of a towering mountain with a cozy cabin snugly lit for evening, is certainly my idea of life at it's best - the perfect hideaway for heart and soul.”
-Thomas Kinkade

Lamplight Lane II
A/P 1/400 | 18”x24” | 1993 | CANVAS | FRAMED
“When I painted Lamplight Lane, I found myself wondering about the sylvan stream that runs alongside the village lane. I christened it The Brooke Windermer and even imagined floating down it in a skiff. Lamplight Brooke is my picture of what lies downstream from my original Lamplight Lane painting. The quaint village is based on Bourton-on-the-Water, a real English town that I very much enjoy.”
-Thomas Kinkade

Lamplight Lane II
A/P 2/400 | 18”x24” | 1993 | CANVAS | FRAMED
“When I painted Lamplight Lane, I found myself wondering about the sylvan stream that runs alongside the village lane. I christened it The Brooke Windermer and even imagined floating down it in a skiff. Lamplight Brooke is my picture of what lies downstream from my original Lamplight Lane painting. The quaint village is based on Bourton-on-the-Water, a real English town that I very much enjoy.”
-Thomas Kinkade

Lamplight Lane III
A/P 1/275 | 18”x27” | 1994 | CANVAS | UNFRAMED
“Lamplight Inn, with its graceful arching bridge invites us to make our way to the inn door. This spacious old country inn has room enough to welcome all weary travelers; it promises to refresh our spirits.”
-Thomas Kinkade

Lamplight Lane III
A/P 2/275 | 18”x27” | 1994 | CANVAS | UNFRAMED
“Lamplight Inn, with its graceful arching bridge invites us to make our way to the inn door. This spacious old country inn has room enough to welcome all weary travelers; it promises to refresh our spirits.”
-Thomas Kinkade

The Brooke Windermer And Cottage Row At Dusk
A/P 1/200 | 18”x24” | 1993 | CANVAS | FRAMED
“Lamplight Lane: Quaint English cottages running along a footpath, a lively stream spanned by an ornate Victorian bridge, sunlight breaking through clouds. It seems too perfect to be real; and yet, I painted Lamplight Lane almost completely on location, at a charming little village in the English Cotswold Region that looked very much like this. My artistic imagination supplied only the finishing details.”
-Thomas Kinkade

The Brooke Windermer And Cottage Row At Dusk
A/P 2/200 | 18”x24” | 1993 | CANVAS | FRAMED
“Lamplight Lane: Quaint English cottages running along a footpath, a lively stream spanned by an ornate Victorian bridge, sunlight breaking through clouds. It seems too perfect to be real; and yet, I painted Lamplight Lane almost completely on location, at a charming little village in the English Cotswold Region that looked very much like this. My artistic imagination supplied only the finishing details.”
-Thomas Kinkade

Lamplight Lane VI
A/P 1/990 | 24”x36” | 2000 | CANVAS | UNFRAMED
“In Lamplight Manor, sixth in the Lamplight Lane series, the brooke Windemer takes us to a rustic treasure hidden away in England's quaint Cotswolds - a magnificent manor house. How I would enjoy a private tour of house and grounds: the sweeping spiral staircases, the luxurious tapestries, and the dignified library. As the scripture from the Gospel of John suggests, such tasteful opulence has a place in the house of our Lord. Here we can anticipate the glory that awaits the children of God in heaven.”
-Thomas Kinkade

Lamplight Lane IV
A/P 1/495 | 18”x24” | 1995 | CANVAS | UNFRAMED
“I wanted to create a scene with a great sense of discovery to it, as though you could stroll over the stone bridge and wander around the village finding things of interest everywhere you look.”
-Thomas Kinkade

Lamplight Lane IV
A/P 2/495 | 18”x24” | 1995 | CANVAS | UNFRAMED
“I wanted to create a scene with a great sense of discovery to it, as though you could stroll over the stone bridge and wander around the village finding things of interest everywhere you look.”
-Thomas Kinkade

Seaside Memories II
A/P 2/395 | 20”x24” | 1995 | CANVAS | UNFRAMED
“To those who observe with a knowing eye and an understanding heart, the natural world is rich with allegories of profound spiritual truths. A Light in the Storm is a visual analogy to Jesus' proclamation "I am the light of the world" (John 8:12). The ocean here is wild with the fury of the storm; waves break and toss in violent chaos. Above, a mighty thunderhead looms: its menace seems to fill and dominate the entire sky.”
-Thomas Kinkade

A/P 2/295 | 16”x12” | 1996 | CANVAS | UNFRAMED
“The third in my series of paintings in honor of my daughter Winsor, Lilac Gazebo offers a special delight to the senses. Here the air is fragrant with the heady perfume of lilacs. This tiny architectural gem nestled in a bower of flowering lilacs is a romantic dream come true.”
-Thomas Kinkade

A/P 1/790 | 20”x24” | 1998 | CANVAS | UNFRAMED
“I discovered some of my most favorite subjects early on in my career; majestic mountains bathed in the dramatic light of sunset, humble homes nestled in a tranquil natural setting. They're all here in Lingering Dusk.”
-Thomas Kinkade

A/P 1/200 | 16”x20” | 1992 | CANVAS | FRAMED
“This painting was executed directly from life with my easel planted precariously in the mud surrounding the ancient mill pond. As I sat observing the tranquil scene, I was amazed at how many people would visit the pond to throw bread and biscuits to the ducks and geese. Over the weeks I was at work, I, too, got in the habit of feeding the ducks and, in time, the more adventurous of these would regularly settle themselves in the shade beneath my easel.”
-Thomas Kinkade

A/P 2/200 | 16”x20” | 1992 | CANVAS | FRAMED
“This painting was executed directly from life with my easel planted precariously in the mud surrounding the ancient mill pond. As I sat observing the tranquil scene, I was amazed at how many people would visit the pond to throw bread and biscuits to the ducks and geese. Over the weeks I was at work, I, too, got in the habit of feeding the ducks and, in time, the more adventurous of these would regularly settle themselves in the shade beneath my easel.”
-Thomas Kinkade

A/P 1/240 | 16”x20” | 1994 | CANVAS | UNFRAMED
“Nanette and I love to walk hand-in-hand in the moonlight, and Moonlight Lane is our long-overdue romantic walk through the English countryside. Moonlight, with its dramatic moods and colorations, its rich, transparent shadows, its warm lemon-yellow highlights, is a challenge and a delight. In this painting I was particularly pleased with the way reflections of moonlight and of the illuminated cottage interior mingle in the puddles. Indeed, I'm so intrigued by the romantic aura of Moonlight Lane that I intend to follow it in future paintings.”
-Thomas Kinkade

A/P 1/200 | 9”x12” | 1992 | CANVAS | FRAMED
“After a cross-country skiing trip through a snowy valley by moonlight, I decided to paint a tribute to this romantic adventure, with the exception of the skis. Instead, a nostalgic sleigh whisks through the moonlit forest. What could be nicer than returning to the inviting glow of a warm fireplace after a frosty evening sleigh ride?”
-Thomas Kinkade

An Evening Service At The Church On The Hill, 1909
A/P 20/50 | 24”x20” | 1989 | PAPER | UNFRAMED
DOUBLE SIGNED
“In my travels throughout America I've noticed that churches are often built on a hillside or knoll as a means of emphasizing their presence in a town, and I find this to be a particularly poignant concept. These hillside churches, like lighthouses, are high up, so that, figuratively speaking, their light might be seen from afar. I wanted to capture a bit of that feel in my painting, Moonlit Village.”
-Thomas Kinkade

A/P 2/495 | 12”x18” | 1995 | CANVAS | UNFRAMED
“Morning Dogwood seemed almost to paint itself. The painting started its life as a plein air impression of a tree shaded gazebo that I saw in Hawaii. Back in my studio, I began to feel very strongly that the trees should be pink flowering dogwoods with lavish blossoms—a vision of Eden.”
-Thomas Kinkade

Flower Cottages Of Carmel I
A/P 1/495 | 16”x20” | 1995 | CANVAS | UNFRAMED
“I love flowers, I love cottages and I love the radiant effects of morning light. In Morning Glory Cottage, the Morning Glory, a lovely vining flower, is drawn to the tranquil moods of morning light in a setting I dream of stumbling upon.”
-Thomas Kinkade

Flower Cottages Of Carmel I
A/P 2/495 | 16”x20” | 1995 | CANVAS | UNFRAMED
“I love flowers, I love cottages and I love the radiant effects of morning light. In Morning Glory Cottage, the Morning Glory, a lovely vining flower, is drawn to the tranquil moods of morning light in a setting I dream of stumbling upon.”
-Thomas Kinkade

Chapels Of Nature I
A/P 2/1190 | 30”x24” | 1998 | CANVAS | UNFRAMED
“Before we ever began to build temples in His honor, God graced us with natural sanctuaries radiant with the light of divine love and peace. In the crowded and busy world in which most of us must live, there is little enough time to seek out the secluded treasures that give testimony to a divine presence in the world. As my Chapels of Nature collection unfolds, we will seek the presence of God in His lakes, forests, hills, and valleys.”
-Thomas Kinkade

Beginning Of A Perfect Day III
A/P 1/790 | 25.5”x34” | 1998 | CANVAS | UNFRAMED
“When I lift up my eyes, I find the truth of the Psalm confirmed by the radiance of sunrise, by a shimmering memory of a rainbow... especially by a towering snow-capped peak, like the one that stands as a silent sentinel in Mountain Majesty.”
-Thomas Kinkade

A/P 1/590 | 24”x30” | 2000 | CANVAS | UNFRAMED
“After completing my recent plein air study of Yosemite Valley, the mountains' majesty refused to leave me. When my family wandered through the national park visitor center, I discovered a key to my fantasy—a recreation of a Miwok Indiana Village.”
-Thomas Kinkade

A/P 11/50 | 18”x27” | 1989 | CANVAS | FRAMED
“For the most part, I paint places I can see and experience first hand, though occasionally I enjoy the challenge of creating a romantic vision of another era. I have tried to capture the bustling activity of New York in the twenties and early thirties in New York, Snow on Seventh Avenue.”
-Thomas Kinkade

A/P 1/200 | 16”x20” | 1992 | CANVAS | FRAMED
“Falling snow brings a hush over the landscape as though the whole world has taken a deep breath in anticipation of some magical moment. In this scene, I enjoyed trying to capture the silent softness of the snow as it blankets the English countryside.”
-Thomas Kinkade

Summer Gate II
A/P 1/790 | 18”x24” | 1999 | CANVAS | UNFRAMED
“Every gate, to paraphrase a favorite song, has its season. The season for this dramatic portal, with its monumental pillars and ornate ironwork, its lavish blossoms and delicate palette of floral colors, clearly is summer. Summer Gate introduces my third print series to embrace the promise of a season by exploring the enticing world that lies beyond a secluded gate.”
-Thomas Kinkade

A/P 1/100 | 8”x10” | 1991 | CANVAS | FRAMED
“Open gates are an invitation to visit, especially when lights glow warmly within an English cottage. If you're in the mood to chat, you might wander up the rutted lane and knock briskly on the old, weather-worn door of this charming cottage, Open Gate, Sussex.”
-Thomas Kinkade

Le Boulevard des Lumiere at Dusk
A/P 1/600 | 18”x27” | 1993 | CANVAS | FRAMED
“My Paris, City of Lights could be titled "The Kinkade family in Paris." I've set the time machine back a few decades and included myself (in the red beret), painting the fabulous Cafe Nanette. The real Nanette, holding baby Chandler, hails a cab, while our oldest daughter Merritt looks on.”
-Thomas Kinkade

Le Boulevard des Lumiere at Dusk
A/P 2/600 | 18”x27” | 1993 | CANVAS | FRAMED
“My Paris, City of Lights could be titled "The Kinkade family in Paris." I've set the time machine back a few decades and included myself (in the red beret), painting the fabulous Cafe Nanette. The real Nanette, holding baby Chandler, hails a cab, while our oldest daughter Merritt looks on.”
-Thomas Kinkade

Cottage By The Sea II
A/P 1/495 | 18”x27” | 1996 | CANVAS | UNFRAMED
“I especially enjoy coastal areas where the rugged rock of the shoreline is densely grown with lush pine forest. Here life is doubly dramatic—for the surging crash of waves is answered in turn by the song of the wind in the sturdy evergreens. To clear a secluded piece of ground in the forest and build a cozy stone cottage suitable for a lifetime of seaside moments—that is a dream I'm sure is hidden deep in each of us.”
-Thomas Kinkade

Cottage By The Sea II
A/P 2/495 | 18”x27” | 1996 | CANVAS | UNFRAMED
“I especially enjoy coastal areas where the rugged rock of the shoreline is densely grown with lush pine forest. Here life is doubly dramatic—for the surging crash of waves is answered in turn by the song of the wind in the sturdy evergreens. To clear a secluded piece of ground in the forest and build a cozy stone cottage suitable for a lifetime of seaside moments—that is a dream I'm sure is hidden deep in each of us.”
-Thomas Kinkade

A/P 13/50 | 16”x20” | 1993 | CANVAS | FRAMED
“In Victorian Christmas III I touch the quiet heart of the holiday itself. Bowered by stately evergreens and blanketed in new snow, this golden house is aglow with the spirit of Christmas. The silence that graces this lovely Victorian home is the same profound peace that once enfolded a babe in Bethlehem.”
-Thomas Kinkade

A/P 14/50 | 16”x20” | 1993 | CANVAS | FRAMED
“In Victorian Christmas III I touch the quiet heart of the holiday itself. Bowered by stately evergreens and blanketed in new snow, this golden house is aglow with the spirit of Christmas. The silence that graces this lovely Victorian home is the same profound peace that once enfolded a babe in Bethlehem.”
-Thomas Kinkade

A/P 12/50 | 16”x20” | 1993 | CANVAS | FRAMED
“In Victorian Christmas III I touch the quiet heart of the holiday itself. Bowered by stately evergreens and blanketed in new snow, this golden house is aglow with the spirit of Christmas. The silence that graces this lovely Victorian home is the same profound peace that once enfolded a babe in Bethlehem.”
-Thomas Kinkade

A/P 12/50 | 16”x20” | 1994 | CANVAS | UNFRAMED
“This nostalgic vision of Christmas past completes one of my favorite collections, Victorian Christmas. Victorian Christmas IV represents a return to my personal memories. I've concentrated on family, which is, after all, the essence of Christmas. I've also painted Victorian Christmas IV in tribute to my hometown, Placerville. That's why I've included both a Christmas tree and a tribute to the regions apples.”
-Thomas Kinkade

A/P 13/50 | 16”x20” | 1994 | CANVAS | UNFRAMED
“This nostalgic vision of Christmas past completes one of my favorite collections, Victorian Christmas. Victorian Christmas IV represents a return to my personal memories. I've concentrated on family, which is, after all, the essence of Christmas. I've also painted Victorian Christmas IV in tribute to my hometown, Placerville. That's why I've included both a Christmas tree and a tribute to the regions apples.”
-Thomas Kinkade

A/P 14/50 | 16”x20” | 1994 | CANVAS | UNFRAMED
“This nostalgic vision of Christmas past completes one of my favorite collections, Victorian Christmas. Victorian Christmas IV represents a return to my personal memories. I've concentrated on family, which is, after all, the essence of Christmas. I've also painted Victorian Christmas IV in tribute to my hometown, Placerville. That's why I've included both a Christmas tree and a tribute to the regions apples.”
-Thomas Kinkade

Streams Of Living Water II
A/P 1/275 | 20”x24” | 1994 | CANVAS | UNFRAMED
“I like to think that water is alive with the poetry and power of God's creation. Yet, for all the awesome grandeur of the thundering falls hurtling down its sheer precipice in the The Power and the Majesty, I also sense a profound peacefulness that is most reassuring.”
-Thomas Kinkade

Streams Of Living Water II
A/P 2/275 | 20”x24” | 1994 | CANVAS | UNFRAMED
“I like to think that water is alive with the poetry and power of God's creation. Yet, for all the awesome grandeur of the thundering falls hurtling down its sheer precipice in the The Power and the Majesty, I also sense a profound peacefulness that is most reassuring.”
-Thomas Kinkade

A/P 1/200 | 8”x10” | 1991 | CANVAS | FRAMED
“The English Pye Corner Cottage is a place where neighbors and travelers meet and friendships are built. And once you've visited Pye Corner Cottage, like the geese in the yard, you will be drawn home for the evening again and again.”
-Thomas Kinkade

Places In The Heart I
A/P 1/790 | 20”x24” | 1998 | CANVAS | UNFRAMED
“The heart has its special places: quiet retreats, fragrant with the sweet perfume of flowers, bathed in the romantic light of sunset, soothed by the music of a laughing brook and droning bees. Places made possible by the precious gift of love.”
-Thomas Kinkade

A/P 1/295 | 16”x12” | 1996 | CANVAS | UNFRAMED
“In the first of a trio of coordinated paintings in honor of my beautiful baby, Winsor, we enter through the floral opulence of Rose Gate. Two ancient stone columns guard the entrance; a weathered copper plaque bears the crest of the manor, an interlocking "W & M.”
-Thomas Kinkade

A/P 2/295 | 16”x12” | 1996 | CANVAS | UNFRAMED
“In the first of a trio of coordinated paintings in honor of my beautiful baby, Winsor, we enter through the floral opulence of Rose Gate. Two ancient stone columns guard the entrance; a weathered copper plaque bears the crest of the manor, an interlocking "W & M.”
-Thomas Kinkade

S/P 37/95 | 16”x12” | 1996 | CANVAS | FRAMED
TRIPLE SIGNED WITH HAND-DRAWN LIGHTHOUSE ON BACK
“In the first of a trio of coordinated paintings in honor of my beautiful baby, Winsor, we enter through the floral opulence of Rose Gate. Two ancient stone columns guard the entrance; a weathered copper plaque bears the crest of the manor, an interlocking "W & M.”
-Thomas Kinkade

A/P 2/200 | 24”x20” | 1992 | CANVAS | FRAMED
“I was recently talking to a friend who had relocated near San Francisco and who had never before been to that city. I was trying to summarize my various feelings about my favorite city and found it hard to explain. The lights, the mood, the flying flags and windswept wisps of fog, the bustling people and quaint bits of architecture that are San Francisco can't adequately be put into words. Perhaps that's why I keep trying to capture a bit of the charm of the 'City By The Bay' on canvas!”
-Thomas Kinkade

A/P 5/200 | 24”x20” | 1992 | CANVAS | FRAMED
“I was recently talking to a friend who had relocated near San Francisco and who had never before been to that city. I was trying to summarize my various feelings about my favorite city and found it hard to explain. The lights, the mood, the flying flags and windswept wisps of fog, the bustling people and quaint bits of architecture that are San Francisco can't adequately be put into words. Perhaps that's why I keep trying to capture a bit of the charm of the 'City By The Bay' on canvas!”
-Thomas Kinkade

S/N 810/980 | 24”x20” | 1992 | CANVAS | FRAMED
“I was recently talking to a friend who had relocated near San Francisco and who had never before been to that city. I was trying to summarize my various feelings about my favorite city and found it hard to explain. The lights, the mood, the flying flags and windswept wisps of fog, the bustling people and quaint bits of architecture that are San Francisco can't adequately be put into words. Perhaps that's why I keep trying to capture a bit of the charm of the 'City By The Bay' on canvas!”
-Thomas Kinkade

S/N 811/980 | 24”x20” | 1992 | CANVAS | FRAMED
“I was recently talking to a friend who had relocated near San Francisco and who had never before been to that city. I was trying to summarize my various feelings about my favorite city and found it hard to explain. The lights, the mood, the flying flags and windswept wisps of fog, the bustling people and quaint bits of architecture that are San Francisco can't adequately be put into words. Perhaps that's why I keep trying to capture a bit of the charm of the 'City By The Bay' on canvas!”
-Thomas Kinkade

S/N 812/980 | 24”x20” | 1992 | CANVAS | FRAMED
“I was recently talking to a friend who had relocated near San Francisco and who had never before been to that city. I was trying to summarize my various feelings about my favorite city and found it hard to explain. The lights, the mood, the flying flags and windswept wisps of fog, the bustling people and quaint bits of architecture that are San Francisco can't adequately be put into words. Perhaps that's why I keep trying to capture a bit of the charm of the 'City By The Bay' on canvas!”
-Thomas Kinkade

S/N 814/980 | 24”x20” | 1992 | CANVAS | FRAMED
“I was recently talking to a friend who had relocated near San Francisco and who had never before been to that city. I was trying to summarize my various feelings about my favorite city and found it hard to explain. The lights, the mood, the flying flags and windswept wisps of fog, the bustling people and quaint bits of architecture that are San Francisco can't adequately be put into words. Perhaps that's why I keep trying to capture a bit of the charm of the 'City By The Bay' on canvas!”
-Thomas Kinkade

S/N 817/980 | 24”x20” | 1992 | CANVAS | FRAMED
“I was recently talking to a friend who had relocated near San Francisco and who had never before been to that city. I was trying to summarize my various feelings about my favorite city and found it hard to explain. The lights, the mood, the flying flags and windswept wisps of fog, the bustling people and quaint bits of architecture that are San Francisco can't adequately be put into words. Perhaps that's why I keep trying to capture a bit of the charm of the 'City By The Bay' on canvas!”
-Thomas Kinkade

A/P 1/750 | 24”x20” | 1994 | CANVAS | UNFRAMED
“In San Francisco, Market Street I took the liberty of turning back the clock to a vivid and very colorful era. It was an era when the cable cars were an efficient way of getting around the 'City By The Bay' and when Market Street was truly the heart of San Francisco, the city where I left my heart.”
-Thomas Kinkade

A/P 2/750 | 24”x20” | 1994 | CANVAS | UNFRAMED
“In San Francisco, Market Street I took the liberty of turning back the clock to a vivid and very colorful era. It was an era when the cable cars were an efficient way of getting around the 'City By The Bay' and when Market Street was truly the heart of San Francisco, the city where I left my heart.”
-Thomas Kinkade

Study For Village By The Sea I
A/P 1/400 | 24”x30” | 2000 | CANVAS | UNFRAMED
“Seaside Village began as my largest plein air painting. I came to feel that I was in wonderful harmony with the sea and sun and sand as I painted. I did all I could on location, then took the canvas back to my studio to add imaginative touches. My work on the painting gave me a renewed appreciation for the lovely simplicity of life lived in harmony with the rhythms of the sea. Imagine living, talking, and working in a place where the ebb and flow of waves and tides beats like a metronome in the background, setting a slow, steady pace.”
-Thomas Kinkade

A/P 1/200 | 12”x16” | 1992 | CANVAS | FRAMED
“I was so taken with the simple message of the classic Christmas carol, Silent Night, with its images of sleeping villages and the coming of the Christ child, that I decided to give the annual Christmas release the same title and evoke a bit of the song's mood. I hope this image will remind each of us of the message of hope and peace that is the true meaning of Christmas as illustrated in the Savior's birth.”
-Thomas Kinkade

A/P 2/200 | 12”x16” | 1992 | CANVAS | FRAMED
“I was so taken with the simple message of the classic Christmas carol, Silent Night, with its images of sleeping villages and the coming of the Christ child, that I decided to give the annual Christmas release the same title and evoke a bit of the song's mood. I hope this image will remind each of us of the message of hope and peace that is the true meaning of Christmas as illustrated in the Savior's birth.”
-Thomas Kinkade

A/P 1/345 | 18”x27” | 1995 | CANVAS | UNFRAMED
“Simpler Times I is a statement of something I believe very deeply in: simplicity and the true foundations of life. My hope is that this painting will remind us of the important things such as the enjoyment of the cycle of the seasons, the satisfaction of work and rest, the security of family, home, and church.”
-Thomas Kinkade

A/P 2/345 | 18”x27” | 1995 | CANVAS | UNFRAMED
“Simpler Times I is a statement of something I believe very deeply in: simplicity and the true foundations of life. My hope is that this painting will remind us of the important things such as the enjoyment of the cycle of the seasons, the satisfaction of work and rest, the security of family, home, and church.”
-Thomas Kinkade

127 | 9”x12” | 1992 | CANVAS | FRAMED
“In Skater's Pond, townsfolk have joined together for an evening of skating under the glow of the Christmas Tree. I like to think that as they glide over the ice, they talk about the season and share their thoughts on what this joyous time of year means to them. Maybe the owners of the home have created this small pond with just such a gathering in mind.”
-Thomas Kinkade

A/P 1/198 | 20”x16” | 1995 | CANAVS | UNFRAMED
“Spring in the Alps fondly recalls a maiden voyage to the Alps in 1985. A great peak, perhaps the famed Jungfrau, lends its snowclad dignity to Spring in the Alps, while delicate alpine flowers bloom and trees stand as silent sentinels.”
-Thomas Kinkade

Visions Of Paradise I
A/P 1/790 | 25.5”x34” | 1998 | CANVAS | UNFRAMED
“In the most important ways, my life has been a progress. I have been blessed to see my love of painting grow and flourish, my relations with family and friends deepen and mature.”
-Thomas Kinkade

Sweetheart Hideaways II
A/P 1/295 | 18”x24” | 1995 | CANVAS | UNFRAMED
“Stepping Stone Cottage, second in my Sweetheart Hideaways collection represents the refuge of my love, my family, my art and my faith. Natural stepping stones lead across the water to the welcoming door.”
-Thomas Kinkade

Sweetheart Hideaways II
A/P 2/295 | 18”x24” | 1995 | CANVAS | UNFRAMED
“Stepping Stone Cottage, second in my Sweetheart Hideaways collection represents the refuge of my love, my family, my art and my faith. Natural stepping stones lead across the water to the welcoming door.”
-Thomas Kinkade

Sweetheart Gardens I
A/P 2/790 | 18”x24” | 1997 | CANVAS | UNFRAMED
“The cooling, tranquil feeling of resting beside still waters... what trouble or pain could not be hushed by such moments? And yet, in the rushing of our lives, each of us at times seem to prefer the raging torrents to the quiet brook — why else wouldn't we seek daily those waters that are still? Stillwater Bridge is an attempt to reflect waters that are still and inviting. I hope you can linger a moment or two.”
-Thomas Kinkade

Christmas Cottage IV
A/P 1/400 | 12”x16” | 1993 | CANVAS | FRAMED
“The symbols of the Christmas season speak to us so clearly. In my Stonehearth Hutch, wreath and tree signal that this sunset heralds Christmas Eve. The lone, rough-hewn cottage represents the rock of faith. Outside is only the solitude of the woods-with no carriage track or footprint to hint at human comfort. But inside is a golden light suggesting the hope of Christmas.”
-Thomas Kinkade

Christmas Cottage IV
A/P 2/400 | 12”x16” | 1993 | CANVAS | FRAMED
“The symbols of the Christmas season speak to us so clearly. In my Stonehearth Hutch, wreath and tree signal that this sunset heralds Christmas Eve. The lone, rough-hewn cottage represents the rock of faith. Outside is only the solitude of the woods-with no carriage track or footprint to hint at human comfort. But inside is a golden light suggesting the hope of Christmas.”
-Thomas Kinkade

Chapels Of Nature III
A/P 1/590 | 25.5”x34” | 2000 | CANVAS | UNFRAMED
“The stone walls of the chapel seem to grow out of the earth itself, while the pristine waters of the stream cascade in the distance. Deer, birds, rabbits, even a frog gather in humble and silent witness to the unity and harmony of the creation. And over all, the glorious vault of the heavens unfolds another glistening morning.”
-Thomas Kinkade

A/P 1/400 | 12”x16” | 1993 | CANVAS | FRAMED
DOUBLE SIGNED
“An artist's studio is his most important self-portrait." That's certainly true of my second studio—a romantic hideaway in the lovely village of Carmel-by-the-Sea, which I've portrayed in Studio in the Garden.”
-Thomas Kinkade

A/P 1/1190 | 25.5”x34” | 1999 | CANVAS | UNFRAMED
“Every gate, to paraphrase a favorite song, has its season. The season for this dramatic portal, with its monumental pillars and ornate ironwork, its lavish blossoms and delicate palette of floral colors, clearly is summer. Summer Gate introduces my third print series to embrace the promise of a season by exploring the enticing world that lies beyond a secluded gate.”
-Thomas Kinkade

The View From Havencrest Cottage
A/P 1/165 | 18”x24” | 1994 | CANVAS | UNFRAMED
“The View From Havencrest Cottage, anticipates a long-planned trip to the Austrian Alps. This delightful vista expresses the best of my imaginary ramblings through that romantic landscape of soaring peaks and verdant Alpine valleys.”
-Thomas Kinkade

The View From Havencrest Cottage
A/P 2/165 | 18”x24” | 1994 | CANVAS | UNFRAMED
“The View From Havencrest Cottage, anticipates a long-planned trip to the Austrian Alps. This delightful vista expresses the best of my imaginary ramblings through that romantic landscape of soaring peaks and verdant Alpine valleys.”
-Thomas Kinkade

A/P 1/395 | 20”x24” | 1994 | CANVAS | UNFRAMED
“In Victorian Christmas III I touch the quiet heart of the holiday itself. Bowered by stately evergreens and blanketed in new snow, this golden house is aglow with the spirit of Christmas. The silence that graces this lovely Victorian home is the same profound peace that once enfolded a babe in Bethlehem.”
-Thomas Kinkade

A/P 2/395 | 20”x24” | 1994 | CANVAS | UNFRAMED
“In Victorian Christmas III I touch the quiet heart of the holiday itself. Bowered by stately evergreens and blanketed in new snow, this golden house is aglow with the spirit of Christmas. The silence that graces this lovely Victorian home is the same profound peace that once enfolded a babe in Bethlehem.”
-Thomas Kinkade

Bringing Home The Christmas Tree
S/N 1 | 20”x24” | 1995 | CANVAS | UNFRAMED
“This nostalgic vision of Christmas past completes one of my favorite collections, Victorian Christmas. Victorian Christmas IV represents a return to my personal memories. I've concentrated on family, which is, after all, the essence of Christmas. I've also painted Victorian Christmas IV in tribute to my hometown, Placerville. That's why I've included both a Christmas tree and a tribute to the regions apples.”
-Thomas Kinkade

Bringing Home The Christmas Tree
S/N 2 | 20”x24” | 1995 | CANVAS | UNFRAMED
“This nostalgic vision of Christmas past completes one of my favorite collections, Victorian Christmas. Victorian Christmas IV represents a return to my personal memories. I've concentrated on family, which is, after all, the essence of Christmas. I've also painted Victorian Christmas IV in tribute to my hometown, Placerville. That's why I've included both a Christmas tree and a tribute to the regions apples.”
-Thomas Kinkade

A/P 4/200 | 24”X30” | 1992 | CANVAS | FRAMED
“As I explored this English garden, I was struck by the overwhelming fragrance of the many blooms. Back home in California, as I worked on the final painting, I was reminded of the delightful floral scent of the garden. Though painters usually deal with qualities of light and color, I must say this painting captures some of that fragrant bouquet on canvas.”
-Thomas Kinkade

A/P 1/395 | 20”x24” | 1997 | CANVAS | UNFRAMED
“Ah, the dappled light of morning... it works such an exquisite magic on the flowers. Each dew-drenched petal reflects radiant sunlight, much like the facets of a jewel. I imagine the generations of family enjoying their magnificent gardens at their leisure, watching the slow growth of hedges and climbing roses much as they savor the slow maturing of children and grandchildren.”
-Thomas Kinkade

A/P 2/395 | 20”x24” | 1997 | CANVAS | UNFRAMED
“Ah, the dappled light of morning... it works such an exquisite magic on the flowers. Each dew-drenched petal reflects radiant sunlight, much like the facets of a jewel. I imagine the generations of family enjoying their magnificent gardens at their leisure, watching the slow growth of hedges and climbing roses much as they savor the slow maturing of children and grandchildren.”
-Thomas Kinkade

Seaside Memories VII
A/P 1/590 | 18”x24” | 2000 | CANVAS | UNFRAMED
“Here, in Victorian Light, is the wonderfully civilized formal grace of a great mansion married to the primal strength of a light tower. The graceful filigreed cupolas, the white picket fence, the charming gazebo extending out over the water, the warm glow at twilight—it all says to me: "Welcome. This beacon of faith is yours to share."
-Thomas Kinkade

Christmas Cottage VIII
A/P 2/990 | 18”x24” | 1997 | CANVAS | UNFRAMED
“Christmas is my favorite time of year. The artist side of me is drawn to the lights and visual elements of the season. In Village Christmas, I have tried to capture a Christmas of a simpler time, where street lamps glow with the warm light of a natural flame and the townsfolk use a leisurely stroll to church as the opportunity to stop and chat about the joyous season.”
-Thomas Kinkade

Country Memories II
A/P 1/400 | 16”x20” | 1993 | CANVAS | FRAMED
“Nanette and I are delighted to see intimate bed and breakfast inns becoming so popular in our own country, each with its own distinctive character. The Village Inn is my dream of an intimate, utterly charming bed and breakfast.”
-Thomas Kinkade

A/P 1/345 | 12”x16” | 1994 | CANVAS | UNFRAMED
“It will come as no surprise to you that the subject of home is near and dear to my heart, and this wilderness cabin is the essential American home. It provides shelter in the storm, warmth in the winter, light in the gathering darkness, and as The Warmth of Home suggests, it satisfies our romantic yearnings.”
-Thomas Kinkade

A/P 2/345 | 12”x16” | 1994 | CANVAS | UNFRAMED
“It will come as no surprise to you that the subject of home is near and dear to my heart, and this wilderness cabin is the essential American home. It provides shelter in the storm, warmth in the winter, light in the gathering darkness, and as The Warmth of Home suggests, it satisfies our romantic yearnings.”
-Thomas Kinkade

A/P 1/200 | 8”x10” | 1992 | CANVAS | FRAMED
“My favorite detail in this tiny cottage, or hutch, is the weathervane which depicts a plowman at work behind a draft horse. Though in my painting this detail is only a fraction of an inch in size, the weathervane is the cornerstone of the small cottage.”
-Thomas Kinkade

A/P 2/200 | 8”x10” | 1992 | CANVAS | FRAMED
“My favorite detail in this tiny cottage, or hutch, is the weathervane which depicts a plowman at work behind a draft horse. Though in my painting this detail is only a fraction of an inch in size, the weathervane is the cornerstone of the small cottage.”
-Thomas Kinkade

Windmill Collection I
A/P 1/1190 | 24”x36” | 1998 | CANVAS | UNFRAMED
“The wind, too, has its work to do. The windmill harnesses the freedom of the wind—a biblical symbol for the unfettered spirit—to the ponderous purpose of the millstone. Fleecy clouds and delicate V's of geese trace the comings and goings of the wind. But only the blades of this mill harness the power of the wind to the service of man. We many not live by bread alone, but when the winds grind flour, we are nourished body and soul.”
-Thomas Kinkade

A/P 1/395 | 24”x30” | 1996 | CANVAS | UNFRAMED
“Little girls grow up to be beautiful young women. I'm beginning to see that in my own family; that's why Winsor Manor, the painting I've created to honor the birth of my third daughter, Winsor, isn't the charming little dollhouse cottage I painted for Merritt and Chandler. This is the romantic manor house Winsor may one day share with her Prince Charming.”
-Thomas Kinkade

A/P 2/395 | 24”x30” | 1996 | CANVAS | UNFRAMED
“Little girls grow up to be beautiful young women. I'm beginning to see that in my own family; that's why Winsor Manor, the painting I've created to honor the birth of my third daughter, Winsor, isn't the charming little dollhouse cottage I painted for Merritt and Chandler. This is the romantic manor house Winsor may one day share with her Prince Charming.”
-Thomas Kinkade

A/P 1/790 | 18”x27” | 1998 | CANVAS | UNFRAMED
“I dearly love the mountains and like to think of them as God's cathedrals. When men build a modest chapel under the shelter of soaring peaks, the setting takes on a sacred serenity.”
-Thomas Kinkade

A/P 1/200 | 8”x10” | 1991 | CANVAS | FRAMED
“Though born of the imagination, The Woodsman's Thatch is based on real cottages I've sketched during my travels in England. The design of this cottage features two rooms on the ground floor and a loft for sleeping. You can tell by the light in the window above the door that a child is probably reading fanciful stories before going to sleep. As I worked on this painting, I wanted to enhance the feeling of coziness that seems to be the central mood, so I added a misty rain to lend softness and charm. After all, what could be more cozy than a glowing cottage set in a misty forest?”
-Thomas Kinkade